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New Orleans
(2007)

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The West

Spanning the years from the first European advance into the wilderness to the dawn of the 20th century, the series portrays the profound, often devastating impact the onrushing white settlers, adventurers and exploiters had on Indian peoples and the land. In vivid imagery and in words spoken by many of today's best-known

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personalities, The West shows how the discovery of gold in California changed the country forever. Witness the torrent of violence triggered by the Civil War, the building of the transcontinental railroad, the tragedies at Little Big Horn and Wounded Knee -- all the key events and the people who created and shaped this great American story.


EPISODE ONE
The People

Beginning with a stunning visual tour of one of the most magnificent landscapes on earth, this first episode establishes the West as a vast and mythic place -- a "dream landscape," as Kiowa poet N. Scott Momaday calls it. A dizzying array of Native American cultures link their creation stories to the land they each call home. But soon, other myths bring other people. Cabeza de Vaca, who finds more friends than enemies. Coronado, whose relentless search for Seven Cities of Gold ends in bitter failure. And Father Junipero Serra, traveling north to "save" people who never considered themselves lost.
We witness the dramatic Pueblo Revolt of 1680, then watch two European imports -- horses and diseases -- transform the lives of tribes that have not yet even seen Europeans. The episode climaxes with the expedition of Lewis and Clark, Americans chasing a yet another myth across the West and breaking the trail for a young republic that will soon follow them to the sea.


EPISODE TWO
Empire Upon the Trails

When this episode begins, the West's destiny is uncertain. Mexico, England, and a host of Native American tribes have as much a claim as the United States. But Americans are now moving westward for a variety of individual reasons. Joe Meek wants adventure, and finds it as a mountain man. Sam Houston hopes to revive a failed political career, and ends up as president of his own Republic of Texas. Narcissa Whitman seeks to save the souls of Indians, but in the end cannot save herself. The Mormons and Cherokees are forced west against their will. And the family of Henry and Naomi Sager, following a restless dream of better times over the next horizon, sets off for the continent's farthest shore.

We also meet the people who encounter these Americans: tejano Juan Seguin, the Cayuse and Nez Percé, and Mariano Vallejo, proud descendant of Spanish conquistadors. In the episode's climax, all the individual trails converge. Under President James K. Polk, the United States declares that crossing the continent is its "manifest destiny" -- and only one nation ends up claiming the West.


EPISODE THREE
The Speck of the Future

Episode Three opens with one of the most momentous events in the West's history: the discovery of gold at John Sutter's mill in California. The human stampede it touches off -- 50,000 people in the first year alone -- will transform everything and everyone in its path. A peach grower named William Swain sets off for a "pocketful of rocks," and through the touching letters he exchanges with his young wife, Sabrina, we experience the Days of '49 through the eyes of both those who joined the rush for riches and those who stayed behind. Swain takes us through the hardships of the overland trail and into the raucous and overcrowded mining camps, where glittering hope and bitter disappointment exist side by side.

Merchants become millionaires. Kit Carson becomes a legend. San Francisco becomes an international city, the "Emporium of the Pacific." But the newly arrived Chinese and well-established Californios find themselves equally shut out. And California's Indians face the worst slaughter of Native Americans in United States history. The episode ends as discouraged 49ers head home -- and on their way, some make new discoveries, touching off new gold rushes and repeating California's experience in every corner of the West.

EPISODE FOUR
Death Runs Riot

As the episode opens, the Kansas frontier has become the flashpoint for the national argument over slavery, a breeding ground for the bloodshed that soon engulfs the entire country. In the West, the Civil War starts earlier -- and is fought differently than on the battlegrounds of the East. Abolitionist Julia Louisa Lovejoy watches in horror as William Quantrill and "Bloody Bill" Anderson slaughter innocent civilians in Lawrence. A devout Mormon, John D. Lee, participates in the worst massacre of pioneers in American history. Along the Rio Grande, Juan Cortina leads a Mexican-American insurrection against injustice. And parson John Chivington leads troops to victory at the "Gettysburg of the West," then turns against an unsuspecting Indian village at Sand Creek.

In the Nevada mining camps, Mark Twain avoids the war's carnage, but on the Great Plains, the Cheyenne peace chief Black Kettle is unable to escape it. The episode climaxes as Union heroes like George Armstrong Custer, fresh from freeing the slaves in the East, discover less glory in trying to subjugate the Indians of the West.


EPISODE FIVE
The Grandest Enterprise Under God

Episode Five begins with an unprecedented race across the West as two companies embark on one of the greatest technological achievements of the age -- building the first transcontinental railroad. Here are Irish immigrants toiling across the treeless Plains for the Union Pacific, while the Central Pacific's Chinese crews struggle to surmount the Sierra Nevadas. Here, too, are the far-reaching consequences when the "iron road" transforms the West. Cowboys Charles Goodnight and Teddy Blue Abbott drive herds of longhorns to the nearest railhead. Landless European peasants build farms and towns on previously virgin prairie. And Uriah and Mattie Oblinger ride the rails to Nebraska, pursuing the American dream of land they can call their own.

But for the vast herds of buffalo -- and the Native Americans whose very existence revolved around them -- the railroad spells disaster as hunters like Frank Mayer rush to the Plains and ship hides by the millions back to eastern factories. In the emotional climax of the episode, a magnificent animal that symbolized the West is driven to the brink of extinction.


EPISODE SIX
Fight No More Forever

The episode begins with a biographical comparison of George Armstrong Custer and Sitting Bull, both equally renowned among their own people for their bravery and air of invincibility. In the Black Hills, Custer ignites a gold rush on land Sitting Bull and the Lakotas consider sacred. Then, on a fateful day at the Little Bighorn, their two trails inevitably meet -- and Custer's demise also marks a "Last Stand" for the defiant Lakotas.

Two other men resist the federal government's tightening grip on the West. In Utah, Brigham Young is forced to choose between saving his distinctive Mormon culture or sacrificing his spiritual son. And in the Northwest, Chief Joseph finds himself caught between his lifelong desire for peace and his solemn promise to his dying father never to abandon his homeland. The episode concludes with the poignant and stirring story of Joseph's flight for freedom -- one of the most remarkable military campaigns in American history, in which Joseph emerges as an eloquent voice of conscience in the West.

EPISODE SEVEN
The Geography of Hope

In this episode, Americans attempt to "tame" the West -- and sometimes find themselves transformed instead. An ex-slave named Pap Singleton declares Kansas the "Promised Land" for impoverished African-Americans, while other settlers are assured that the semi-arid climate of the Plains will be altered by their plows. A frail Teddy Roosevelt comes West and turns himself into a rugged rancher, and a bookish ethnologist named Frank Cushing becomes a war chief of the Zuñi tribe he was sent to study. A real estate boom overwhelms the rural Hispanic village of Los Angeles, while a "beef bonanza" promising easy profits collides head-on with the harsh realities of a western winter.

But for many in the West, the drive to turn it into a replica of the East ends in heartache. Native American children are torn from their parents and placed in schools that try to strip them of their traditional culture. A federal crackdown on polygamy separates Mormon families. And the Chinese are persecuted, then told told to leave their adopted land. Meanwhile, Buffalo Bill Cody offers adoring crowds his own version of it all: a "Wild West" -- heroic, romantic, and mythic.

EPISODE EIGHT
Ghost Dance

Episode Eight begins with the raucous Oklahoma land rush, as 100,000 eager settlers frantically stake out farms and bang together towns literally overnight. The mining town of Butte, Montana -- with its mix of driving energy and incredible pollution -- is another symbol of how the new industrial age has quickened the pace of change in the West. And a refined Wellesley graduate named Ethel Waxham meets rugged sheep rancher John Love, whose dogged pursuit of a brighter future soon revolves around persuading her to return to him in Wyoming.

For Native Americans, an era seems to be ending. Well-intended reformers like Alice Fletcher, hoping to help Indians, implement laws that instead only accelerate their loss of homeland. And the Ghost Dance religion, offering the hope that the buffalo and the old ways will soon return, results in even greater despair -- first with the death of Sitting Bull at the hands of his own people, and then on the tragic killing ground of Wounded Knee.


EPISODE NINE
One Sky Above Us

In this powerfully moving final episode of the series, the West enters the 20th century with its historic -- and mythic -- twin characteristics undiminished and compellingly intertwined. Bright hopes and painful loss, dreams denied and dreams fulfilled, swirl through every story. With a fresh supply of water, Los Angeles rises to become the West's most powerful city, but at the expense of the rural Owens Valley. Mariano Vallejo, the aging representative of the West's oldest European culture, laments the decline in his people's fortunes; but millions more are arriving from Mexico in pursuit of fresh opportunity.

In their response to rapid change, a brother and sister of the Hidatsas choose very different paths to follow. John and Ethel Love, meanwhile, battle against floods, blizzards, disease, and hard times to hold onto their ranch -- and their faith in a better future. And although Chief Joseph dies of a broken heart, his legacy of dignity and his simple plea for justice live on. Interspersed through it all, some of today's westerners share poignant moments from their own lives, and as the series concludes it becomes clear that the story of the West is intensely personal and fragilely human, yet also as heroically grand and as enduring as the land itself.


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A sampling of critical acclaim for The West:

". . . . fiercely and brilliantly rooted in fact . . . In enthralling detail it explores the day-today reality of disappointed gold rushers, stubborn cattle drivers, and displaced American Indians."

The New York Times, Caryn James

". . . . director Stephen Ives succeeds magnificently, delivering a lush work at once fully documented and fully entertaining . . . no one could ask for better television."

Los Angeles Times, Howard Rosenberg


". . . . Another don't miss history lesson. . . The West is a sweeping, thoughtful, often moving look at America's conquest of the West. . . . wonderfully narrated by Peter Coyote."

TIME, Richard Zoglin


"Be ready to be absorbed by the spectacle of haunted landscapes ravishingly photographed, as chants and folk songs fill the soundtrack. . . . To be tantalized by tattered photos of vanished cultures. . . . To be diverted by little known stories of hardy pioneer spirit and saddened again. . . . Some nights are near perfect."

USA Today, Matt Roush


". . . . a breathtakingly beautiful series of films . . . . that make riveting TV."

New York Daily News, Eric Mink


"In tone and temperament The West is a mighty achievement, a forcefully stirring exploration into the American soul; a moving document of hope and despair that goes beyond legend and myth to take history to task."

The Hollywood Reporter, Miles Beller



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